Not to be confused with regions, events behave just like audio clips in Sony’s ACID software.

Switching between takes isn’t exactly neatly handled – to access a previous take you have to step back through your undo history – but it works on a basic level.Īnother significant improvement is the new ability to split a file up into “events”. It’s also possible to record multiple takes, by simply hitting record with a loop active. It’s a much smoother experience.įor slightly more complex recording tasks, the new floating, dockable Record Options window lets you set up pre-roll (for easy punch-in recording), and start recording when the input signal crosses a certain threshold – or when a particular MIDI timecode message is received from an external source. Now the button immediately starts recording into the main wave view, with no clunky switching back and forth between dialogues. In previous versions of Sound Forge, clicking the Record icon on the toolbar suspended the main program and switched you to a dedicated recording interface. One of the biggest changes is the new “modeless” recording workflow. The answer is, a selection of specific refinements that don’t revolutionise the package, but which make certain tasks much easier.

Recent versions have been so powerful that you might reasonably wonder what more could possibly be added to justify this latest upgrade. When it comes to waveform-based audio editing, Sound Forge is one of the best known names in the business – and deservedly so.

Sound forge pro 11 upgrade